Since February 2010, I have been endeavouring to comprehensively wade through Mark Levine's Jazz Piano Book - with variable success... I set a rudimentary timetable, for how if I was able to spend a week on each chapter, I would be able to complete the book (a once over) in roughly six months: by July 2010.
The book is dense, and at times frustrating to follow (not all the elements are revealed in a chronological order: "later explained in Chapter 7" where a symbol has been used repeatedly without explanation for the previous three chapters!). But with the little I have done, I feel I have achieved a sense of reward and satisfaction in my ambition to decipher and make sense of one of the few books of authority in the Jazz education field.
My biggest question about Levine's book.
ReplyDeleteNow that I'm learning all those new voicings, and the theory behind (their construction),
What do I do to become a better pianist?
Just take fake books and apply the voicings to songs?
What are your practice ideas???
I've been doing mostly scales, arpeggios, increasing the speed progressively as I can.
And the Oscar Peterson jazz exercises, and piano comping books + the McPartland books.
What are your suggestions?
Thanks.